Layers of triangles from edge to edge. Strings of diamonds with a single corner forming a nexus with an existing layer. A common goal of all these abstract paintings is the eventual cover of all the brilliant white ground with forms conjoined through my algorithmic methods. The resemblance of the additive layers of triangular forms to folded paper cranes in this painting suggested the Origami nomenclature. This painting, like most of my Tondo, has no orientation so spins at the whim of the viewer.