This poolside study in purples reflects the casual physical attitude of an individual more often naked than not. The title is from a Dresden Dolls song of that name, while the photo from which the painting was derived was downloaded from the internet; part of a series featuring a young model on a sunny day posing with a wine glass by a small circular pool of invisibly clear water. The brilliantly white circular pedestal for the painting with its hand lettered script is an echo of that glassy pool given privacy by a rough masonry wall, here rendered in layered lavender strokes. The model leans forward and to the left to reach for an empty glass. I found the ambiguity of that motion evocative rather than provocative, and a fitting transformation of intent from the awkwardly prurient photo series to become part of the Blue Art period. Sometimes a body just likes to be naked. Sometimes an artist just likes to paint a nice figure in an active pose.